Working in mixed media on canvas, my practice explores painting as a polyphonic and interruptive form. I am interested in how images hold multiple temporalities at once: the remembered past, the constructed present and the imagined future.  Each painting becomes a form of auto-fiction - part lived experience, part invention, where competing voices and histories converge.

Writing is both a research method and a generative tool.  Literature provides the initial catalyst from which I develop polyphonic scripts that become the conceptual framework for each painting.   These texts gather voices from family conversations, artists, writers, politics, popular culture and everyday life.  The writing creates an associative framework where disparate references and experiences are brought into dialogue before being translated into paint.

Collage is central to my process.  Like the voices in polyphonic texts, it functions as a “material voice”, a physical dialogue within my paintings that allows images to interact and disrupt one another through movement and juxtaposition.

The resulting large-scale paintings, often spanning multiple canvases, invite viewers to move between overlapping narratives and shifting time frames.  Through their layered construction, the works reflect the fragmented, interconnected experience of contemporary life.